Irish artist John Macormac came into my view via interaction with this blog. I was delighted to meet another artisan who shares some of my idiosyncrasies – there’s a magpie here too, gathering bits of information and stuff, never disposing of anything, and always amazed that she has the ‘perfect’ bit of (whatever) for the unfolding of a making. The way he works in layers – scraping and over-painting, cutting up and creating anew – is right up my alley. Hmmmm. Might have to drop in to Belfast some time soon!
My work deals with an overload of information. I am like a magpie drawn to intricate detail, collecting and manipulating pieces of visual culture. I combine collage, oil paint, acrylics, emulsion, ink, spray paint, conte crayon, chalk, felt tips, pencil and anything else I can find. Found photographs and fragments of text can be included because of a personal sense of meaning, or purely as passages of visual ‘noise.’
John Macormac – Shoreline
I wanted this work to echo the feel of a beach in winter.
I employed a muted, faded colour palette.
Scrim was glued to the surface and resembles fishing nets.
The piece is an irregular shape, this also recalls pieces of flotsam and jetsam
worn with time and tides.
My work does not start with a finished image in mind. Rather it carries a sense of practical progression; each new area suggests the context and space for the next aspect of the piece. I often work on several at a time. The work is in a constant state of evolution and reinvention. Layers are added and scraped back. Each finished piece displays evidence of this process of revision, editing and adding new elements until it feels right to stop. Sometimes pieces become overworked. I often recycle them by cutting them up and using parts that ‘work’ to create new images.
Click on the screenshot to see more of John’s work.
Edited to include Shoreline – a piece that particularly speaks to me.