form and emptiness

 

Wonderingmind Studio: Miriam Louisa Simons, washi bowl

washi bowl
Kyoto, Japan
Japanese washi, silver threads, cardboard stand

 

I find the fragile beauty of  Japanese handmade washi irresistible and came home from Japan laden with sheets of all kinds.  Actually it’s much sturdier than it appears.  Not quite strong enough for bowl-making, however.  How could it be stiffened, strengthened?

I decided to do some research and unearthed an old Chinese recipe used to stiffen silk for flower making.  A few dozen experiments and many failures later I had devised a recipe that enabled me to make bowls using just one layer of washi.  The diaphanous quality of the paper was preserved, and the bowls held their shape. Stitching sometimes appears, but seldom for construction purposes.

The bowls each have their own small base, and a storage box – just as do traditional tea ceremony bowls.

Why bowls?  To spend time in Japan, to participate in the rituals of tea making, serving, and drinking, is to enter another entire mindscape.  Coupling this with contemplation on the paradox of form and emptiness is a deep and profoundly awareness-enhancing practice.  Bowls can be potent teachers.


More bowls
Nomad Collection: Japan