courting creativity

my seven fail-safe strategies

This post is part of an essay recently added to the WRITING section of this website.

Agnes Martin's studio

In my playground, immanent creativity – often referred to as ‘the muse’ – is decidedly She.  For millennia She has been portrayed in dozens of cultures and lands as the Great Mother, a goddess with a thousand names.  In our modern intellectual era it seems anachronistic to ascribe gender to this ineffable dynamic.   No problem – however we choose to conceive of It and refer to It makes no difference whatsoever.  It couldn’t care less.   It’s totally unmoved by expectation, ever wild and utterly untameable. 

That said, something responds to our acknowledgement and appreciation;
something responds to courtship…  

1          Set up space – a salon befitting a regal muse.  For me, that implies quiet, beauty, order.  Have somewhere to sit in silence, as well as areas in which to play.  We need a place where we can take time to be silent, to receive inspiration without pressure or distraction.  She will come.

2          Show up – commit.  Let Her know you’re serious.  Showing up isn’t specific to the studio.  Creativity is responsive to our attention, curiosity and presence – wherever we are, and whatever we’re doing.  Everything weaves itself into our work.

3          Resist the familiar – it’s the same-old, same-old.  She doesn’t do old or habitual.  She isn’t a follower of fashion or fad.  She’s always at the cutting edge.  Actually, She IS the cutting edge.

4          Question everything – especially your reflexive reactions.  She’s a jealous lover.  She won’t show up if you’re in bed with your beliefs.

5          Befriend risk.  No risk, no encounter.  She enjoys a hearty joust with the dragon called Doubt, but it usually makes itself scarce when she shows up.

6          Play with chance – i.e., ways of sabotaging self-certainty and fostering an innocent mind.  She seems particularly fond of this little strategy.

7          When tired, lie down; rest.  She’ll often drop in with clarity and inspiration when you’re in a heap of weariness, frustration or confusion.  Have a notebook handy.

– mls 2022

You can read the full essay here:

NB:  Although I have personified creativity as a ‘muse’, and as ‘she’, this is only for poetic purposes.  Creativity is not an object.  It’s not something ‘outside’ of us.  At the deepest level, spontaneous creativity is a quality of the Life force that lives us.  To court creativity is to make a conscious, open, orientation towards that unknowable force, Life’s infinite capacity – which we’ve never been separate from.  We’ve just been hoodwinked by assumptions of separation that have hardened into beliefs.

Image – the inner sanctum of Agnes Martin‘s studio.


the alchemy of creativity : again

As artists … we make artwork as something we have to do
not knowing how it will work out.

– Agnes Martin

Agnes Martin, Untitled 1960

‘THE ALCHEMY OF CREATIVITY’ was originally posted in February, 2017.   I rediscovered it this morning while searching for something else.   It seems to me that these musings and quotes about the crucial need to understand our creativity as being “integral to our wellbeing” are more urgent than ever right now.   I’m re-posting, with minor editing.  Thanks for reading.
– ml

Just when I began to doubt that I would ever write again on this blog – it being many moons since the urge to do so has visited – I find myself inspired by a post written by the insightful and meticulous artist Fiona Dempster on her blog Paper Ponderings.  She opens with a quote from Anais Nin (see below) and offers her responses before summing up thus:

There is something in here I think that says that art is integral to our wellbeing;
and I have to agree.

– Fiona Dempster

A torrent arose from deep within as I read this: art is integral to our wellbeing.  I was reminded of my own long path to this understanding.  Being a slow learner when it comes to my own wellbeing, it took years to notice that if I was experiencing unease, confusion or frustration, the fail-safe remedy was to enter creative engagement.  In that engagement – a deliberate hollowing out of my mental marrow – all I need to know percolates up into presence and flows forth into my life.  No effort required.  As Jeanette Winterson observes, it’s simply humanity expressing itself.

Life has an inside as well as an outside.  Consumer culture directs all resources and attention to life on the outside.  What happens to the inner life?  Art is never a luxury because it stimulates and responds to the inner life.  We are badly out of balance.  I don’t think of art / creativity as a substitute for anything else.  I see it as a powerful expression of our humanity – and on the side of humanity under threat.  If we say art is a luxury, we might as well say that being human is a luxury.

– Jeanette Winterson

I eventually learned that creativity is not a luxury for me; it’s a necessity if I am to remain sane.  Creativity is integral to my wellbeing, and art is one way that creativity can shatter the granite edifice of my conditioned thinking.

I was unspeakably fortunate to be assisted in coming to this understanding by physicist David Bohm, who would share his insights with us at Brockwood Park and patiently answer our questions.  This morning, opening a notebook I kept at the time – almost thirty years ago – rather grandly titled “Creativity and Consciousness”, I found these quotes:

For creativity is a prime need of a human being and its denial brings about a pervasive state of dissatisfaction and boredom.

Whenever … creativity is impeded, the ultimate result is not simply the absence of creativity, but an actual positive presence of destructiveness…

– David Bohm (with F David Peat), Science, Order, and Creativity, 1987

The need for creative thinking in every corner of our collective consciousness has never been greater.  I feel a tide surging within, a tide that has been out for many years as other concerns consumed my attention.  It is washing up an imperative to speak again on these things, to share the perennial wisdom of my teachers and voice my own.

I believe the most important thing for humankind is its own creativity.

– Dalai Lama XIV, Freedom in Exile: The Autobiography of the Dalai Lama

Discovery is the beginning of creativeness; and without creativeness, do what we may, there can be no peace or happiness for man.

Jiddu Krishnamurti

There’s more to creativity, and in particular creative thinking, than is allowed by its current association with corporate concerns, e.g. “How can we harness creativity to make more sales?”  There’s more to creativity than learning how to pass the time with recreational dabbling.  These are not an elitist statements.  If taken as such, a deep understanding of the dynamic of genuine creativity is shown to be lacking.  Creativity shapes lives and cultures.

Genuine creativity is elusive.  It lives solely in the present moment with no regard for past or future.  It is outside of time altogether.  In this context it is identical to what the sages call Reality, the Divine, Presence, Source.  To be absorbed by it is to reunite with that which we never left and yet can never know – the Unified Field of Creation.

We do not escape into philosophy, psychology, and art —
we go there to restore our shattered selves into whole ones.

– Anais Nin

Exactly.  Creativity is no escape.  Engagement with genuine creativity spurns the urge to retreat or escape from life.  Rather, life is brought full-focus into the feeling realm and away from the head.  For me a prerequisite to the engagement is that I take all the versions of myself – shattered or stuck or simply curious – to the altar of my worktable.  I bring them to the space of unknowing and watch in awe as they disappear entirely.

The artist self?  Nowhere to be found.

For me it’s essential to be artist in absentia if work that’s free from preconceived ideas and unsullied by the subtle yet persistent longing that my work be accepted / admired  / valuable / important. In other words: if genuine creativity is to be allowed space.

Whatever I know how to do, I’ve already done.  Therefore I must always do what I do not know how to do.

– Eduardo Chillida

The alchemy of this immersion in unknowingness – the blessing of creativity – is paradoxical: while disappearing the solid-state, separate ‘me’, it simultaneously fosters ‘me-ness’ in the sense of rock solid authenticity.  It shapes the unique no-thing that we are; it gives it whatever voice is true and appropriate as we navigate the world of appearances – the ‘outside’.  In the process, it makes us feel more keenly alive, alert, aware.  It brings the wondrous feeling that all is well with the world (after all) and a sense of order, rightness, blessedness prevails.

There is a curiously sharp sense of joy or mild ecstasy that comes when you find the particular form required for your creation: … the experience of  “This is the way things are meant to be.”

– Rollo May

Further.  We eventually realise, if we look deeply enough, that the “outside” is not outside at all.  Wherever we go / look / feel – there we are, fully displayed as a reflection of our consciousness.  It’s vital to grok this, because it explains how the voice that sings through our “hollow bamboo”* has the power to change the world, i.e., consciousness.  Not by our self-determined efforts – no matter how sincere – but by allowing a force incomprehensibly vaster than our minds can conceive, to express, via our utterly unique constellation of skills and wisdom, exactly what it needs to.  For this moment.  For now.

Let us not forget that Creation set this whole scenario – whatever it appears to be– in motion.

Let us not forget that its agenda is beyond our cognitive capacity.

Let us not forget that it operates beyond the laws of physics and knows no degree of difficulty.

Let us invite that power to play as we turn up in our studio feeling shattered, depressed, blocked and confused.

And let us not forget that it will only show up when we disappear.

* * *

The final paragraph in Science, Order, and Creativity by Bohm and Peat:

The ultimate aim of this book has been to arouse an interest in the importance of Creativity.  Whoever sees this importance will have the energy to begin to do something about fostering it, in ways that are appropriate to the special talents, abilities, and endowments of that person.  All great changes have begun to manifest themselves in only a few people at first, but these were only the “seeds” as it were of something greater to come.  We hope that this book will not only draw attention to all the questions that have been discussed in it, but will actually begin the liberation of creative energy in as many of its readers as possible.


Whether you succeed or not is irrelevant, there is no such thing.

Making your unknown known is the important thing.

– Georgia O’Keeffe

“This is one of the most beautiful meditations, the meditation of becoming a hollow bamboo.  You need not do anything else.  You simply become this, and all else happens.  Suddenly you feel something is descending in your hollowness.  You are like a womb and a new life is entering in you, a seed is falling.  And a moment comes when the bamboo completely disappears.”
– Osho

Painting by Agnes Martin, Untitled, 1960

Other posts and pages in this site on this theme:

when the artist disappears, creativity radiates

and when I do that, I feel whole

salmon-mind and stream-ing

Another offering on the topic of creativity, at my blog the awakened eye  [External link]

misinformation and the creative mind


wonderboxes | nomad collection
Kyoto, Japan


Miriam Louisa Simons, wonderbox series - kaminochaya


painting on textured card and watercolor paper, assemblage

cardboard box, Arches watercolor paper, shade cloth, threads, twig, watercolor and acrylic paints, canvas board

460 x 460

This piece began as a watercolor study in the upper garden (kami-no-chaya) of the Shugaku-in Rikyu Imperial Villa in Kyoto.

I loved the pond with its border of perfectly rounded stones, and the way their forms were echoed in the carefully clipped azalea bushes.



textile and transformation


Wonderingmind Studio: Miriam Louisa Simons - Ankida. Painting on silk.


Silk Habotai, card, textured wood panel, mosquito netting, woven metal fragment, acrylic paints, fiber-reactive dyes
Painting on silk, assemblage
643 x 312

This piece illustrates a poem:

mountains of green
mountains of blue arise:
gratitude wells up
and fills my eyes

When I moved from Europe to tropical Queensland to care for my frail aged parents in their last chapter, I would sometimes take respite time at Ankida, a rainforest sanctuary in the Gold Coast hinterland. I felt like a Zen hermit tucked away in a grass hut amongst mountains that rolled westward for ever. It was a good place for poetic ramblings and painting; I felt blessed beyond words.