courting creativity

my seven fail-safe strategies

This post is part of an essay recently added to the WRITING section of this website.

Agnes Martin's studio

In my playground, immanent creativity – often referred to as ‘the muse’ – is decidedly She.  For millennia She has been portrayed in dozens of cultures and lands as the Great Mother, a goddess with a thousand names.  In our modern intellectual era it seems anachronistic to ascribe gender to this ineffable dynamic.   No problem – however we choose to conceive of It and refer to It makes no difference whatsoever.  It couldn’t care less.   It’s totally unmoved by expectation, ever wild and utterly untameable. 

That said, something responds to our acknowledgement and appreciation;
something responds to courtship…  

1          Set up space – a salon befitting a regal muse.  For me, that implies quiet, beauty, order.  Have somewhere to sit in silence, as well as areas in which to play.  We need a place where we can take time to be silent, to receive inspiration without pressure or distraction.  She will come.

2          Show up – commit.  Let Her know you’re serious.  Showing up isn’t specific to the studio.  Creativity is responsive to our attention, curiosity and presence – wherever we are, and whatever we’re doing.  Everything weaves itself into our work.

3          Resist the familiar – it’s the same-old, same-old.  She doesn’t do old or habitual.  She isn’t a follower of fashion or fad.  She’s always at the cutting edge.  Actually, She IS the cutting edge.

4          Question everything – especially your reflexive reactions.  She’s a jealous lover.  She won’t show up if you’re in bed with your beliefs.

5          Befriend risk.  No risk, no encounter.  She enjoys a hearty joust with the dragon called Doubt, but it usually makes itself scarce when she shows up.

6          Play with chance – i.e., ways of sabotaging self-certainty and fostering an innocent mind.  She seems particularly fond of this little strategy.

7          When tired, lie down; rest.  She’ll often drop in with clarity and inspiration when you’re in a heap of weariness, frustration or confusion.  Have a notebook handy.

– mls 2022

You can read the full essay here: wonderingmindstudio.com/writing/courting-creativity


NB:  Although I have personified creativity as a ‘muse’, and as ‘she’, this is only for poetic purposes.  Creativity is not an object.  It’s not something ‘outside’ of us.  At the deepest level, spontaneous creativity is a quality of the Life force that lives us.  To court creativity is to make a conscious, open, orientation towards that unknowable force, Life’s infinite capacity – which we’ve never been separate from.  We’ve just been hoodwinked by assumptions of separation that have hardened into beliefs.


Image – the inner sanctum of Agnes Martin‘s studio.


 

in the hands of alchemy

 
Sometimes finding the truth of one’s work – and one’s life – costs everything. How much of our belief structure, our convictions and habitual behavior are we prepared to relinquish in order to allow space for the utterly authentic to express through our voices and hands?

In 1979, at age 29, Jerry Wennstrom destroyed all the art he had created, gave everything he owned away, and set out to discover the rock-bottom truth of his life. He sensed an inner and outer world in perfect order and became a willing participant in that order – he leaped into the void, the ultimate creative act. He began a life of unconditional trust, allowing life to provide all that was needed. He lived this way for 15 years.

Wennstrom’s wish was to open to the energy of life itself. In releasing the structure of daily habits and routines, he learned to trust and appreciate the significance of each moment. This entailed relying on intuition, listening keenly to the deeper nature of feelings, and wisely observing the ways in which our inner world reflects the outer, and vice versa.

In 1998 he moved to Washington State, where he eventually married Marilyn Strong and produced a large new body of art.  Marilyn and Jerry’s charming Whidbey Island home is now filled with his unique interactive sculptures and paintings.  Jerry also built a 40-foot meditation tower on his property, which is featured, along with his story, in a book by Laura Chester called Holy Personal.

 

Jerry Wennstrom - The Confessional

Confessional
Interactive sculpture – 8ft in height

 

During a trip to Italy I was moved by a few ancient, worm-eaten Confessionals I saw in several of the older cathedrals in Assisi. The oldest ones were small and simple and appeared not to be in use any longer. They were often placed off to the sides of the smaller chapels or in out of the way places. These old confessionals were so well-used over the years that the places where knees touched wood were worn in shape of two half moons. There were places on the hand rest where finger nails dug deep into the wood. The inspiration for this art piece was the power and energy of guilt, angst and forgiveness that these confessionals embodied.

I call the piece Confessional and it is made out of an 8′ X 26″ hollow, cedar log that I drug up from the ravine below our house. The outer, female figure is a double door that opens down the middle and around the face to reveal the life-size, fully carved saint inside. Turning the Danger High Voltage switch that is situated under the lower mask turns the saint into a devil — his halo disappears, little red horns appear out of the figure’s head, a forked tongue comes out of his mouth, a tail wags from behind and his hands offer an apple.

– Jerry Wennstrom

 

Jerry Wennstrom - Confessional interior showing saint
Confessional interior showing ‘saint’.
See more details of this work on the blog (see link below)

 

Jerry’s story is told in his book, The Inspired Heart: An Artist’s Journey of Transformation (foreword by Thomas Moore) published by Sentient Publications and in the Parabola Magazine documentary film called In the Hands of Alchemy: The Art and Life of Jerry WennstromThere is also a Sentient Publications DVD with the same name, which includes a short new film called Studio Dialogue.  Studio Dialogue is a presentation Jerry did before a live audience with music by Susan McKeown, sung by Marilyn Strong.  Jerry travels internationally lecturing, teaching and presenting his film and work and he writes a monthly piece on the spirit of the times for a New York City consulting firm.

Most of the above information is sourced from  Jerry’s website. The images and his comments about Confessional are sourced from his blog.
 
Jerry Wennstrom's blog - In the Hands of Alchemy

Click on the screenshot to visit Jerry and Marilyn’s blog.

Jerry Wennstrom is also featured on my website ‘the awakened eye’: the way of trust and transformation