slow down, feed soul

Father Bill Moore - A Gathering of Gentle Forces

 

When I began to paint and create my art, I did not know where I was headed as an artist. Yet what remained important to me was that I was beginning my calling as a painter. After I began painting and working as a priest, the idea came to me to create works that could benefit the members of my community.

It always seemed to me that the public was constantly being asked to support either museums, or other cultural institutions. So I decided to take that theory and turn it on its head and use my art to support my community. I do not receive payments for my art, all the monies go directly to my congregation to help others in need.

– Father Bill Moore


I so appreciate Bill Moore – the Bill bloke, without the Fr., or the Dr., or even the Mr. He knew his calling, even though it was a double-header.  He was able to acknowledge that his purpose lay in two directions: he was both a painter, an artist, and he was a priest, a mouthpiece that could inspire and point his congregation towards a sensitive, refined experience of life.  

Which came first or was more significant?  Why would it matter?  What mattered was that he honoured his two-headed calling.

But there was more.  He surrendered his calling to his flock.  He uses his art “to support” his community. This is an uncommon altruism.  My heart thrills to this.

Then there are the paintings with their invitation to touch, to gaze and graze. These are works that I find soul-satisfying on so many levels.

 

Father Bill Moore - Staying in The Present series, 1-4

 

I always want to have a peaceful resolution, even if the painting is full of energy, life and movement, I always want to evoke peace, tranquility and calm. I always want to organize this energy.

 

Father Bill Moore - The Reality of Spirit and Matter

 

“Father Bill imbues his art with a deep spirituality based on who he is,” says Mary Felton, who represents Moore’s work at Galerie Züger in Santa Fe, New Mexico. “His process is to walk up to a blank canvas and see what [the] Spirit wants him to paint on that canvas.”

 

Father Bill Moore - Contemplation

 

I think in many ways, people are hungry for poetry and music and art.  I think we have a deficiency in our spiritual diet.

My art has made me a better priest, and my faith has made me a better artist. We live in hurried times and are inundated with countless images. We have the capacity to immediately access a staggering wealth of information.

Through my art, I’m asking myself and those that would explore it to slow down. To look, touch and consider the essential colors, shapes and textures that can feed our souls.

 

Father Bill Moore - Assisi

 

I hope my paintings serve as an invitation to enter into the mystery of being fully human, and to face our fears and the challenges of life with dignity and grace.
– Father Bill Moore

 


Sources:

frbillmoore.com

westernartandarchitecture.com

avranart.com


Image titles from top:

A Gathering of Gentle Forces
Staying in The Present series, 1-4
The Reality of Spirit and Matter
Contemplation
Assisi

Sizes vary; all are acrylic paint and mixed media on canvas.


 

immaculate imperfection

 

Have no fear of perfection – you’ll never reach it.
– Salvador Dali

Kintsugi Bowl named Seppo

 

The Kintsugi Cup

At the juncture of Perfection and imperfection,
Lays Immaculate Imperfection.

There, even the wounded and broken,
Emanate Blessings to all.

There, even those crushed in sorrow,
Are breathless with Bliss.

There, even those moving in desire,
Breathe Fullness and Completion.

There, even those grasping endlessly,
Know Surrender and Grace.

There, even those not yet perfected,
Live beyond the Hell of perfect and imperfect.

This can only be grasped,
If you stand…

Where Heaven and Earth Embrace,
And Perfect Love imbues Imperfection,

Like a kintsugi cup,
Shattered and broken,

Imperfections… not hidden,
But Illumined.

Ineffable Sublimity,
Immaculate Imperfection.

– Chuck Surface

 


Chuck Surface has a cyber-oasis of poems at gardenofthebeloved.com


Kintsugi: The Japanese art of repairing broken pottery with a lacquer resin sprinkled with powdered gold.

The tea bowl above, made by Hon’ Ami Koetsu (1558-1637), is called Seppo, which means Snow-capped Mountain. One of the most outstanding Japanese artists of the early 17th century, Koetsu was famous for his tea aesthetics, landscape gardening, poetry, lacquering and pottery.

This very famous tea bowl was repaired with gold varnish. The cracks in the bowl were filled with a type of resin, then lacquered and covered with gold powder. The repairs were given the poetic interpretation of melting snow and streaming water, hence the name ‘Seppo’.

Collection: Hatakeyama Memorial Museum of Fine Art, Japan.

Beauty in the art of repair – an informative article about traditional Kintsugi repair.